Wolfgang Voigt, the enigmatic German producer, has once again demonstrated his penchant for rewriting and restructuring his own musical world. The recent release of November 89 under the moniker GAS is a fascinating addition to his catalog, offering a glimpse into the early days of his unique sound. This vinyl pressing, originally released as a CD insert with a book of psychedelic forest artwork in 2008, showcases a different side of Voigt's artistic journey.
The music on November 89 is characterized by its blocky, strange, and oblong nature, a stark contrast to the sampledelia of his later work. The reissue, which includes tracks dating back to 1989 and 1990, raises questions about the evolution of Voigt's sound. The inclusion of 'Der Wald' and 'Das Moor', along with the 11-minute 'Nah Und Fern', adds to the intrigue. These tracks, with their imposing and frightening qualities, hint at the darker, more experimental side of Voigt's early productions.
The release of November 89 as a vinyl album is particularly intriguing. It completes the existing GAS vinyl series, marking a potential reevaluation of the debut album's status. With only five tracks spanning 53 minutes, it stands as the shortest album under the GAS name, offering a glimpse into Voigt's formative years. The album's artwork, featuring the impenetrable forest in stark monochrome, aligns with the GAS aesthetic and adds to the overall allure.
The timing of this release is not coincidental. Given Voigt's deep connection to Germany, from the Königsforst where he experienced his acid trips to the Gothic-psychedelic influences shaping his music, the birth of GAS in November, a significant month in German history (the fall of the Berlin Wall), feels symbolic. This release not only showcases Voigt's early experimentation but also reinforces his role in the rich tradition of German techno, glam, schlager, and oompah.
In conclusion, November 89 is a captivating addition to Voigt's discography, offering a unique perspective on his artistic development. It invites listeners to explore the roots of his sound, appreciate the evolution of his style, and marvel at the intricate web of influences that shape his music. As always, Voigt continues to surprise and delight, leaving us eager for his next creative endeavor.
